
| Photos | I coming soon | |||
| I coming soon | ||||
THE ART FILES William James wrote that the true is what is good in the way of belief. Because the ghosts, the demons and the darkness that Agents Mulder and Scully are in constant contact with are disconcerting at best, terrifying at worst, they are not “good in the way of belief” and, by James’s definition, they are not true. The desire to live a life uninterrupted by challenge, gift-wrapped in false comfort, and tied with an ignorant bow puts the denizens of the world of X-FILES at odds with the Truth as Mulder and Scully find it, a Truth deeper and richer and more necessary to believe simply because it isn’t created to serve a subjective and ultimately false level of comfort. Art exists for the same reasons that Mulder and Scully do – to search. Happy Famous Artists see themselves in their world, the art world, as Mulder and Scully are in theirs. In both worlds, the objects sought, whether they are ghosts or demons or philosophy or art itself, have the constant potential to shake the foundations of false comfort created to shield the weak from that which they’d rather not see. Can they be seen? Do they exist? Mulder and Scully tell us, “Yes, the truth is out there.” The meaning in this affirmation does not lie in its declarative sense, but rather in its implication that the Truth is less important than the search itself. The Truth is finite but the search is endless and comes in infinite forms with equally infinite challenges. Yet Mulder and Scully search on. They shine their torches at the mysterious, the enigmatic, the troubling, the seemingly untouchable, at that which others don’t see. Diogenes van Sinope also lit a lamp, in search of … a human being. What are Happy Famous Artists illuminating? In this image, it's one of their artworks. It isn’t shown. It can’t be seen. It is nevertheless very much there. The art is out there. Or is it? - Ben Dirt, 2006 |
| Happy Famous Artists | |
| @ 25 years | |
| Brakke Grond | |
| 7 - 11 June 2006 | |
| Vlaams Cultuurhuis | |
| De Brakke Grond | |
| Nes 45 | |
| 1012 KD Amsterdam | |
| Nederland |

Guillaume Bijl - Sander Veenhof - Vaast Colson - Happy Famous Artists - Henk Visch - Yvan Derweduwe - Mark Manders - Su Tomesen - Isabel Ginneberge - Ivo & Simona Provoost Denicolai - Sam Dillemans - Maurice van Tellingen - Florentijn Hofman - Emma Van Drongelen - Christian Noirfalise - Johan Clarysse - Lara Almarcegui - Silvia B. - Peter De Cupere - Sara Nuytemans |
| T +31 6 21844446 | ||
| www.silvia-b.com |
| Photos | I coming soon | |||
| I coming soon | ||||

| Happy Famous Artists | |
| present | |
"Tell Me about Your Father" |
|
| @ Museum Van Nagsael | |
| Botersloot 40 | |
| Rotterdam | |
| 1 - 30 June 2006 | |
| curated by Silvia B. |

| T +31 20 6229014 | ||
| F +31 20 6253279 | ||
| info@brakkegrond.nl | ||
| www.brakkegrond.nl |





















Curated by RejectEffect's Timothy Gaewsky and Maria Prainito, this exhibition is an experiment that aims to expose the 'psycho-emotional' relationship one has with celebrities and popular culture icons. Additionally, this experiment seeks to reveal the bearing that celebrity culture has on personal and social development.
Participants are encouraged to produce work in relation to their own definitions/interpretations of celebrity and icon. The curators welcome both straightforward and unexpected approaches to examining and understanding the culture of celebrity.
IL.H.O.O.Q., "makeover of a makeover" by Happy Famous Artists:
Marcel Duchamp painted a moustache and a goatee beard on a reproduction of Mona Lisa and titled it L.H.O.O.Q., which reads as 'elle a chaud au cul' ('she's hot'). Happy Famous Artists made a makeover of a makeover and titled their piece "IL.H.O.O.Q." which translates to 'He's Hot'. HFA explain that Spock has more or less the same weird and mysterious facial features as Mona Lisa and a similar gaze.


| Happy Famous Artists | |||
| present | |||
| "ILHOOQ" | |||
| @ Reject Effect's | |||
| "Celebrity Makeovers" | |||
| www.rejecteffect.com | |||
| for participation contact: | |||
| rejecteffect@gmail.com | |||





| Happy Famous Artists | |||
| @ Art Cologne 2007 | |||
| Presented by | |||
| Gallery Annie Gentils | |||
| 18- 22 April 2007 | |||
| Vernissage 17 April | |||
| 5 - 9 pm | |||
| www.koelnmesse.de | |||
| gallery annie gentils | |||


| I | Paintings | Upcoming: | |
| I | Installations | Happy Famous Artists | |
| I | Interactive | participate in | |
| I | Embroidery | ||
| I | Prints | ||
| I | Performances | start Sep 07 in Munich | |
| I | Design & Web | ||
| I | Video & Photo | directorslounge.net | |
| I | Gifts & Fun | ||
| www.directorslounge 2007.blogspot.com |
|||
| placeboKatz |


| Happy Famous Artists | |||
| present | |||
| "Suicide Commando " | |||
| & "Art Macht Frei" | |||
| @ Verbeke Foundation | |||
| 1 June - 31 Dec 2007 | |||
| open Thu - Sun | |||
| 11 am - 18 pm | |||
| Westakker, Kemzeke | |||
| verbekefoundation.com | |||
| Contact: Fleur Pierets | |||
| glamorisundead.be | |||
Kevin van Braak (Nl) - Frank F. Castelyns (B) - C.I.D (BE) - Leo Copers (B) - Geoffrey De Beer (B) - Berlinde De Bruyckere (B) - Goele De Bruyn (B) - Peter De Cupere (B) - Delphine Deguislage (B) - Wim Delvoye (B) - Jan Fabre (B) - Michel François (B) - Happy Famous Artists (Wonderland) - Harry Heirmans (B) - Idiots (Nl) - Joep Van Lieshout (Nl) - Ludo Mich (B) - Desmond Morris (Gb) - Honoré d'O (B) - Guy Rombouts (B) - Servaas (Nl) - Seymour Likely (Nl) - Materializer Industries (Kor Smeenge) (Nl) - Helmut Smits (Nl) - Renate Spee (B) - Bart Van Dijck (B) - Koen Vanmechelen (B) etc. |
| Happy Famous Artists | |||
| now also on | |||
| You Tube & My Space | |||
| click the URLs | |||
| & explore | |||

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Memory In Motion will present media art that seeeks for new ways of remembrance by using the public space as a stage to challenge the neglecting of history with artistic means. The urban space, that makes history visible as architecture, offers the oportunity to connect artistic questioning with concrete history.
Memory In Motion is an intervention into the public space that question the handling of the past, the construction of historiography, the attribution of identity, social and ethnic codes and their reflection in society right there where such a basic discussion should start: in the public.
Public space is not a fixed space, it is everywhere, constantly in change, consequently we will be a project in motion, using different spaces for different works and different questions.
